Vintage home décor is as much about the reassurance of familiar forms and texture, as it is about stories of bygone eras
If you have been contemplating a redecoration of your home or, perhaps, setting up a new one, chances are you have found yourself considering vintage décor. There seems to be a resurgence of vintage and antique décor, be it in the number of high-end stores ready to help you usher in a slice of tradition into your living room, or in the variety of fashionably distressed furniture displayed in magazines and catalogues.
Even though urban tastes prefer modern straight lines, there will be that one signature, standalone furniture piece that will be of vintage origin, and it becomes the focal point in the living space. Others could be more eclectic: They will have everything together, like a vintage piece, a colonial piece, or a contemporary sofa.
But a love of all things old is hardly new. Although, now, it just might be easier to indulge it. And making this possible are designers who are as selective about their clients, as the clients are of their taste.
Designers are manipulating images onto different surfaces, making them more available and more visible; their stores are spaces where the discerning audience—who value provenance, history, heritage, aesthetics and soulfulness above all—is exposed to fine craftsmanship of yore and unique experiences.
Rahul Singh’s House of Heirloom, for instance, is a by-appointment-only 3,000 sq ft “curatorial space” in Delhi’s Friend’s Colony. Singh, creative director, aims to provide a unique experience to all who walk in and hopes to be instrumental in reshaping the sensibility of the Indian buyer. The space houses a mix of antiquity—the stone facades from 80-90 years ago, the 90-year-old Burma teak bed from Bengal—and revival pieces, like chandeliers inspired by Hyderabad’s Chowmahalla Palace or linen with embroidery after the work of Irish nuns.
She says, “I have always been fascinated by the idea of Wunderkammer or the cabinet of curiosities, which is the idea of collecting, the idea of owning completely disjointed, dismembered objects. Why would you keep a gramophone in your house? It has nothing to do with your current reality but there is an inexplicable connection with it. So this idea of collecting oddities, the idea of being a hoarder, fascinates me a lot. It is not about holding on to the past for the sake of pure nostalgia. It’s about holding on to a story which is inherently a part of you, which might have been useful at some point of time, but you are not willing to let go because you know you will use it at some point of time again.”
(This story appears in the Sept-Oct 2014 issue of ForbesLife India. To visit our Archives, click here.)